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FESTIVAL OF INDEPENDENT THEATRES 2018

Susan Sargeant

Faces of FIT: Susan Sargeant

The next video in our series with 20 Faces of the Festival of Independent Theatres, with the founder of the only group to have been in every FIT, WingSpan Theatre Company.



published Monday, July 9, 2018

 

Dallas — To celebrate two decades of the Festival of Independent Theatres, the organization has launched a #MyFITStory campaign, and is highlighting the 20 Faces of FIT. These are 20 people, or groupings of people, who have made a significant impact on the festival—as the festival has had on them. Each made a video focused on their FIT story at a media day event on June 5.

TheaterJones is showcasing one of the Faces each day through the beginning of the festival, which runs July 13 to Aug. 4 at the Bath House Cultural Center. The videos were shot by FIT.

Next up: Susan Sargeant.

WingSpan Theatre Company was a year old when David Fisher called her about participating in a radical idea: The first Festival of Independent Theatres, launched in 1999.

She was in, and still is. WingSpan is the only company to have been in all 20 years.

WingSpan has the tagline of "producing plays by, for, and about women." That doesn't mean all of the plays it does—the FIT show, a mainstage production in October, and a spring staged reading—are all by women, but a good chunk of them are. Especially the newer works.

In the Festival of Independent Theatres, WingSpan has done six world premieres, all by local women: Cynthia Salzman Mondell's Shoe Confessions, Isabella Russell-Ides' Lydie Marland and the Afterlife, Sargeant's adaptation of Mark Twain's The Diaries of Adam and Eve, and three plays by Valerie Brogan Powell in the early years.

In its FIT and mainstage seasons, Wingspan has also done works by Caryl Churchill, Wendy Kesselman, Susan Sontag, Jennifer Haley, Sarah Kane and other women; but Sargeant also has an affinity for 20th century male writers like Tennessee Williams, Samuel Beckett, Lanford Wilson, Harold Pinter and especially Edward Albee, having done seven of his plays.

This season, WingSpan returns to Pinter with his one-act Landscape in FIT, and in October, will give us a taste of a playwright who is criminally underproduced in DFW: Eric Overmeyer, with his On the Verge, or the Geography of Yearning.

"I like absurdism because it forces you to think out of the box and focuses on the text," Sargeant says. "This [FIT] format works really well for it."

In the video above, she talks more about WingSpan's history in FIT.

"Our name is WingSpan because I can keep expanding my range."

 

» The shows in the 2018 Festival of Independent Theatres and a grid schedule are below. You can read descriptions and see a full schedule here.

Camp Death ProductionsJimmy Pine by Ben Schroth

Danielle Georgiou Dance GroupJust Girly Things by Danielle Georgiou, Justin Locklear, Ruben Carrazana, Trey Pendergrass and Cory Kosel

Eccentric Bear ProductionsThe Book of Gabe by Isaac Young

Echo Theatre: Bible Women by Elizabeth Swados and Vicki Caroline Cheatwood

Imprint Theatreworks: Suckers by Devin Berg

Laughter League: Where Do I Sit? by Dick Monday

Prism Movement TheaterBruNO and lOUIe by Jeffrey Colangelo

WingSpan Theatre Company: Landscape by Harold Pinter

 

NO CAPTION

 

The 20th Festival of Independent Theatres

July 13- August 4, 2018

Bath House Cultural Center,

521 E. Lawther Drive, Dallas

Tickets and passes go on sale in late June

Call 800-617-6904 or visit www.festivalofindependenttheatres.org

 Thanks For Reading




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Faces of FIT: Susan Sargeant
The next video in our series with 20 Faces of the Festival of Independent Theatres, with the founder of the only group to have been in every FIT, WingSpan Theatre Company.
by Mark Lowry

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Grand Cara Mia Riders in the Sky KD Studios UNT College of Music UNT Dance and Theatre Open Classicial Melinda Massie
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