Features & Interviews Page 3 of 10
Cast Album Confidential

Jay Gardner reviews Christmas recordings by Ana Gasteyer and John Barrowman.

published Wednesday, December 11, 2019
A New Nutcracker

The Dallas Black Dance Academy puts its own twist on the holiday classic with Espresso Nutcracker at the Majestic Theatre.

published Tuesday, December 10, 2019
Power of Memory

Director Anyika McMillan-Herod on Colman Domingo's play Dot, which deals with Alzheimer's, opening at Soul Rep Theatre Company.

published Tuesday, December 3, 2019
Off, On, and All Around

Theatre Three Artistic Director Jeffrey Schmidt talks about choosing the farce Noises Off for an in-the-round space.

published Sunday, December 1, 2019
What's Up in NYC

A trio of conference-going critics visited a dozen shows on and off-Broadway. Here are their takes on everything from A Bright Room Called Day to Slave Play.

published Saturday, November 30, 2019
Q&A: Emilio Rodriguez

The playwright chats about Swimming While Drowning, about two Latino teens, opening this weekend at Cara Mía Theatre Co.

published Tuesday, November 26, 2019
Pages from the Arts: Nov./Dec. 2019

Our performing arts book review is back. In this edition: Donna Wilhelm's memoir, a look at 50 funny women, a Woodstock remembrance, and more.

published Monday, November 25, 2019
TeaTalks, Episode 7

In the seventh installment of Olivia Grace Murphy and Seth Johnson's podcast, they talk with Marianne Galloway and Debbie Ruegsegger about invisible disabilities.

published Monday, November 25, 2019
Forward Thinking

Austrian conductor Christian Arming on this weekend's concerts with the Fort Worth Symphony, and a possible glimpse at the future.

published Friday, November 22, 2019
Head Case

Bruce Wood Dance artistic director Joy Bollinger on her new work In My Your Head, which uses the music of Radiohead, being performed this weekend.

published Thursday, November 14, 2019
Loving Life

Bruce Wood Dance captures the lighter side of life in Bryan Arias’ new work Live, Love, Laugh, part of the company’s Harvest performance this weekend.

published Wednesday, November 13, 2019
Q&A: Larissa FastHorse

The playwright talks about her career in the arts, performative wokeness, and The Thanksgiving Play, currently at Undermain Theatre.

published Tuesday, November 12, 2019
Gleaming Ballet

Ballet Dallas’ Carter Alexander takes us to the gardens of Vienna in his new ballet Luisant, part of the Meadow’s School of the Arts’ Fall Dance Concert at SMU.

published Monday, November 11, 2019
Hart Alumnae: Where Are They Now

Here's where the women of the previous four years of Dallas Opera's Hart Institute for Women Conductors, and what they've done since.

published Friday, November 8, 2019
Women in Charge

Programming by the Dallas Opera, Dallas Symphony, and the Cliburn is making North Texas a leader for women in classical music.

published Friday, November 8, 2019
Holland, Libby, and Ann

Actress and playwright Holland Taylor, and actress Libby Villari, talk about the play Ann, about Ann Richards, currently at Dallas Theater Center.

published Wednesday, November 6, 2019
Q&A: Emily Molnar

The artistic director of Ballet British Columbia on starting conversations through dance and performing in Dallas as part of TITAS/Dance Unbound this weekend.

published Wednesday, November 6, 2019
Fire Within

Dallas Black Dance Theatre digs deep to find their fire in Nijawwon Matthews’ new work, From Within, part of the company’s Director’s Choice this weekend.

published Wednesday, October 30, 2019
Circus Act

ImPULSE Dance Project takes us to the circus in Not Your Average Masquerade at the Medical City Lewisville Grand Theater this weekend.

published Wednesday, October 30, 2019
A Singular Senstation

Michael Serrecchia, who was in the original cast of A Chorus Line, talks about the show and directing it for Mainstage Irving-Las Colinas.

published Tuesday, October 29, 2019
Let It Burn

The second annual Burning Woman will feature poetry, music, dance, theater and more, all created by women, at the Wild Detectives.

published Tuesday, October 29, 2019
Video: Ashley H. White

In her Proust Questionnaire series, Betsy Lewis talks to the fight and intimacy director, and co-founder of Imprint Theatreworks.

published Monday, October 28, 2019
Gregorian Rants, Episode 12

Gregory Sullivan Isaacs chats with Paul Curran, the director of Rimsky-Korsakov's The Golden Cockerel, at The Dallas Opera. 

published Friday, October 25, 2019
What Theatre Magic Means to Me

In her latest Square One column, Ashley H. White of Imprint Theatreworks ponders the idea of the magic of theatre. 

published Friday, October 25, 2019
Q&A: Peter Bernstein

The musician and composer, and son of film composer Elmer, on conducting his father's score for Ghostbusters with the Fort Worth Symphony.

published Thursday, October 24, 2019
She Persisted

How Stephan Wolfert, Dawn Stern, and women veterans plumbed Shakespeare to write a play about Margaret of Anjou in She-Wolf, having a world premiere at Amphibian Stage.

published Tuesday, October 22, 2019
Ghoulish Games

Danielle Georgiou Dance Group puts a spooky twist on 1960s musical variety TV with The Bippy Bobby Boo Show at Theatre Three.

published Tuesday, October 22, 2019
Out and Loud

Paul J. Williams and Olivia Grace Murphy talk about their plays in Uptown Players' Gay History Month programming.

published Tuesday, October 22, 2019
Q&A: Nmon Ford

The baritone talks about his dream list of roles, his house music opera, and performing A Sea Symphony with the Dallas Symphony this weekend.

published Tuesday, October 22, 2019
The Power of Memory

Teatro Dallas Artistic Director Sorany Gutierrez on Guillermo Calderón's play Villa, opening the company's 30th season.

published Wednesday, October 16, 2019
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