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L5Y Object Spotlight, Part 2

For WaterTower Theatre's production of The Last Five Years, director Kelsey Leigh Ervi has been collecting objects about break-ups. Here's the second entry.



published Wednesday, June 13, 2018

Photo: Even Michael Woods
Monique Abry and Seth Womack in The Last Five Years

 

EDITOR'S NOTE: Every week during the run of Jason Robert Brown's musical The Last Five Years at WaterTower Theatre, TheaterJones will feature one item collected by director Kelsey Leigh Ervi for a display about breakups. The musical chronicles a relationship through song, with one character telling the story from meeting to break-up; and the other character from break-up to first meeting. The musical stars Monique Abry as Catherine and Seth Womack as Jamie; Adam C. Wright is the musical director. The show runs through July 1.

Here's the second Object Spotlight, with the description from the person who submitted it. Ervi's statement follows.

 

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January 2003-January 2008

America was at war, our Muslim male friends were being required to register in a scary government database, and my Yale interview was looming threateningly above my nervous college career – but all you worried about was Valentine’s Day. I had assured you that the holiday hadn’t meant anything to me for years and that just seeing you for a few brief moments would suffice. You obsessively asked what previous lovers had done, what I had offered as tokens, and what I expected to be a dream V-Day. “Valentine’s Day is important!” you insisted.”It should be special,” you concluded.

 

That evening you came home.

You gave me this Winnie the Pooh Bear.

I held this Winnie the Pooh Bear close to my heart.

I told you that I loved you.

 

I started calling this Winnie the Pooh Bear our child. I called this Winnie a name known only to you and me, with both our last names. When you came home, I’d have this Winnie jump up and down with joy. When you were sad, I puppet-ed this Winnie to sing songs for you. When you were feeling silly, I’d have this Winnie report silly things to you. I loved placing this Winnie in places where you’d stumble upon him unexpectedly: in the trunk of your car; balanced on hangers inside of your work suits; in the fridge next to your favorite beverages. You loved tossing this Winnie about our tiny place. I’d find it again and sneak it under your pillow. Oh, that look of laughter on your face when you would find him.

You were leaving for a job across the country – a sequence of events that would eventually end us. You told this Winnie to take care of me. You told this Winnie to keep me safe. You told this Winnie that you will come home soon and marry me.

 

This Winnie the Pooh Bear wants to go Home.

This Winnie the Pooh Beat wants to know where You are.

This Winnie the Pooh Bear wants You.

 

I don’t know what to tell it.

 

About The Object Project, from The Last Five Years Director Kelsey Leigh Ervi:

A few years ago, while visiting a friend in Los Angeles and exploring the city, we happened upon The Museum of Broken Relationships.  The collection consisted of carefully curated objects from romantic, familial, and other relationships that had ended.  Next to each object was a small card that said the time span of the relationship, where the relationship existed, and a short description of the object’s connection to the relationship.  The experience of glimpsing into a stranger’s past and the connection that a particular object had to their broken relationship was arresting.  I was fascinated by the transformation of people’s relationships to these potent objects: how something could hold so much meaning while in a partnership, and how quickly that meaning could change once that partnership had ended.

While preparing for The Last Five Years, my experience at the museum kept bubbling to the surface.  I began searching my apartment for any objects that I knowingly or unknowingly had held onto from my past.  My most recent relationship ended three years ago and I was certain I had purged of everything that held any significance.  But I did find one object: a print she had given me for my birthday.  Almost immediately, a rush of memory went through me.  I remembered when she gave it to me.  I remembered where we were and how I felt.  And then my memory went even further back.  I remembered our first kiss.  I remembered the way she looked when I told her I loved her.  I remembered fighting with her over a stupid video game.  I remembered what the weather was like the morning she broke up with me.  Despite the time that had passed, this object still had the power to transport me to those potently emotional moments.

To me, The Last Five Years, is a collection of objects. This story is a glimpse into a relationship of differing perspectives filled with the full array of human emotion: joy, pain, amazement, resentment, anger, doubt, and love, among others.  Are all of these emotions invalidated because this relationship has ended?  What effect does time have on the answer?

When you enter the theater at WaterTower during the run of The Last Five Years, it will be very obvious to the audience that our scenic design drew heavy inspiration from my experience at the museum.  But the audience won’t be able to get up close with everything on our stage.  So in an effort to provide the audience with a more close-up experience, we’ve created a small-scale version of objects from broken relationships in the Lobby of our theater.  These objects were donated to me from friends and colleagues and will be on display throughout the run of the show.  I warmly invite you to arrive early for the show for a chance to view our lobby display. My hope is that it will provide a small hint of the experience I had in Los Angeles.  And if anything, will have you reflecting on what objects you might have held onto and their meaning has or has not changed over time. Thanks For Reading





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L5Y Object Spotlight, Part 2
For WaterTower Theatre's production of The Last Five Years, director Kelsey Leigh Ervi has been collecting objects about break-ups. Here's the second entry.
by Kelsey Leigh Ervi

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