Dallas — Acclaimed New York-based choreographer Yin Yue is the latest name on the short list of artists who have been invited to commission work for Bruce Wood Dance (BWD) since Kimi Nikaidoh took over the reins of the Dallas-based troupe in 2014. Since then BWD has performed works by international choreographers such as Bryan Arias, Andy Noble, Katarzyna Skarpetowska and Bridget L. Moore as well as pieces by in-house talents like Nikaidoh, Joy Atkins Bollinger and Albert Drake. Yue’s new work, Begin Again, will premiere this weekend at BWD’s Harmony performance at Moody Performance Hall in the Dallas Arts District. The program also includes Wood’s poignant The Day of Small Things (2012) and the crowd pleasing Rhapsody in Blue (1999).
In regards to the program Nikaidoh says, “The title represents the variety of this program, and we have been fortunate with Bruce’s work because there is such variety from a single choreographer. Certainly that range expands when you add another choreographic voice to the program, and Yue’s work is a great fit because it is coming from a different place than Bruce’s.” She adds, “I also want our dancers to continue growing in their diverse abilities.”
Nikaidoh calls Wood’s The Day of Small Things a beautiful example of how he could make a quiet work very powerful. “It’s quiet and understated and yet it’s glorious and majestic at the same time. The inspiration for the piece was that these small interactions and moments between people are really meaningful and important. And we don’t need to look at those as though they’re inconsequential.”
Nikaidoh notes that Wood created the piece in honor of her grandma, whom he was very fond of. “He and my grandma had a really sweet relationship. He would let her come watch rehearsal and she was just such a sweet, compassionate and lovely person who really appreciated Bruce’s work.”
On the other hand is Rhapsody in Blue, which Nikaidoh describes as one big party. “It’s elegant, charming and just loads of fun. And that is one of his most classical pieces. There’s a lot of fun, flirtatious and an almost who cares feel to parts of it.”
The third piece on the program is Yin Yue’s Begin Again, which uses heavy electronic music and FoCo contemporary technique to support the cyclical nature of the work. FoCo is a contemporary folk style that Yue originated, which is inspired by the elements, including root, wood, water and metal. Nikaidoh got to experience this way of moving firsthand when Yue visited BWD back in May. In addition to creating a work for the company’s Harmony performance, Yue also taught several technique classes during her stay.
It was during these classes where Nikaidoh says Yue began to create movement for her new work. “She would do some warm up in place and then she would just start a choreographic phrase and what I ended up realizing is that a lot of the movements that she generates for a piece come from these phrases that she uses in her classes.”
Nikaidoh also learned that Yue’s movement style is driven by an internal rhythm instead of a musical melody. Nikaidoh explains, “So, she feels inspired that the first movement should be slow and thick and then the second two movements need to be staccato and coming quicker. And that’s interesting because even though some parts of the dancing end up going exactly with the music the movement itself and the rhythm you’re supposed to do the movement with are really coming from inside her and not from the music.”
Originally from Shanghai, Yue studied classical ballet, Chinese classical and folk dance at Shanghai Dance School. She continued her education at Shanghai Normal University where she had the opportunity to appear in many festivals and dance performances throughout China. Yue moved to New York City in 2004 to pursue a MFA in contemporary dance from New York University’s Tisch School of the Arts.
Yue’s distinct movement style has earned her many accolades over the last couple of years, including winner of Hubbard Street Dance Chicago International Commissioning Project in 2015, BalletX’s 2015 Choreographic Fellowship and Northwest Dance Project’s 5th annual Pretty Creatives International Choreographic Competition in 2013. She was also selected as an emerging choreographic at Springboard Danse Montreal in 2015 and was a finalist of The A.W.A.R.D Show 2010 put on by New York The Joyce Theater Foundation. She currently resides in New York where she is the artistic director of the Yin Yue Dance Company. She also holds the position of artistic director and residency choreographer at Jiangxi Zhongshan Dance School.
In a video on BWD’s Facebook page Yue expresses her amazement with how quickly the dancers were able to pick up her movement in a very short timeframe. “The first couple of days are just about getting your body into what you are doing and there is a learning and questioning like why and how and then we can already see the dramatic change about Thursday Friday,” Yue says. “So, then I create a phrase in front of them and I look back and they are already doing it so we are already 80 percent there and for me it is just way fast.”
You can see Bruce Wood Dance perform Yin Yue’s Begin Again at the company’s Harmony performance at 8 pm. June 15 and 16 at Moody Performance Hall in Dallas.
» Katie Dravenstott is a freelance writer and dance instructor in Dallas. Visit her blog at www.kddance.wordpress.com