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The Bruce Wood Dance Project’s newly appointed Artistic Director Kimi Nikaidoh talks about preserving Wood’s legacy and the company’s performance of Lovett + MORE this weekend in Dallas.



published Friday, September 12, 2014

Photo: Sharen Bradford/The Dancing Image
Bruce Wood Dance Project revives Lovett

Dallas — Since the unexpected passing of choreographer Bruce Wood in May of this year the North Texas dance community has been wondering about the status of the Bruce Wood Dance Project (BWDP), which Wood reinvigorated in 2011 at the urging of arts patron Gayle Halperin. The Fort Worth native started his second company four years after he disbanded his first, Bruce Wood Dance Company, due to financial issues. Since returning to the dance scene three years ago Wood has created six critically acclaimed and original works, including Happy Feet (2011), I’m My Brother’s Keeper (2012) and Love, B (2014). Wood’s chorography is most recognized for its emotional undercurrents, rich imagery and wide range of subject matters.

“Working with Bruce really was magic,” says veteran Bruce Wood dancer Kimi Nikaidoh. “It’s so rare for a dancer to find a choreographer who perfectly fits them and that’s what Bruce was to me. I was never disappointed by what he produced.”

Photo: Brian Guilliaux
Bruce Wood Dance Project revives Piazzolla de Prisa with the Dallas Chamber Symphony

BWDP followers will be thrilled to know that the BWDP will continue to operate and perform for the foreseeable future under the artistic direction of Nikaidoh. “After the June performance Gayle took me to coffee and asked if I would be willing to step in as acting artistic director. I really didn’t have to think about it. Bruce was a close friend and I will always want to honor his legacy and cherish his memory and his work was worth reorganizing my life to come back and help out.”

Nikaidoh was fortunate enough to work with Wood during the early years of the Bruce Wood Dance Company before moving to New York to have ankle surgery and to continue her dance training. She was working with Dwight Rhoden and Complexions Contemporary Ballet when Wood asked her to join the Bruce Wood Dance Project in Dallas. “He told me that he was starting a project and he needed me to dance. I was going through a tough time just then and being able to return home and dance for Bruce was a truly healing experience for me.”

In addition to his dancers Wood also had a hand in shaping the dance culture in North Texas. “He made it possible for talented dancers, production people and costume designers who needed and wanted to be here in North Texas to stay here. There were so many people in the Bruce Wood Dance Company who could have danced elsewhere, but who wanted to stay in the region due to family ties and because of how unusually good Bruce’s work was.” Nikaidoh adds that this is just one piece of Wood’s legacy that the company would like to continue offering to the community. “Per Bruce’s request we are in the process of archiving his work. We haven’t come up with a total yet, but there are certainly more than 80 masterpiece ballets and that is plenty to offer to dancers and audiences.”

The BWDP also wants to foster the growth of up and coming choreographers who prioritize the same things in art and in dance that Wood did. “We really want these groups to not only preserve and produce his ballets, but also continue fostering his line of thinking in new and upcoming artists.” This ties into Nikaidoh’s long-term goals for the company which includes exposing audiences outside the local regions to Wood’s aesthetic. “Ultimately, I would like to see Bruce’s ballets reach a level of exposure through the BWDP that helps directors of other companies around the country see the work and purchase the ballets.” Something that Wood was not interested in doing when he was in charge. “Bruce was not as interested in impressing people as he was in impacting them. And he wasn’t as interested in selling himself as a lot of other choreographers are. So, with the support of the company, board and his family I would like to work on getting these ballet’s sent out to people who will do them well and just so that more people can see his choreography.”

North Texans will get a chance to experience his choreography this weekend, Sept. 13-14, with the Bruce Wood Dance Project’s presentation of Lovett + MORE at the Dallas City Performance Hall. The program includes Being (1998); fan favorite Lovett (2000), set to Lyle Lovett music; and Piazzolla de Prisa (2001) which will be accompanied by the Dallas Chamber Symphony.

» Katie Dravenstott is a freelance writer and dance instructor in Dallas. Visit her blog at www.kddance.wordpress.com

» Cover photo by Brian Guilliaux of Brian Guilliaux Photography

» Read an interview with Richard McKay, music director of the Dallas Chamber Symphony, here Thanks For Reading





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The Bruce Wood Dance Project’s newly appointed Artistic Director Kimi Nikaidoh talks about preserving Wood’s legacy and the company’s performance of Lovett + MORE this weekend in Dallas.
by Katie Dravenstott

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