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Ann Williams, photographed with the Dallas Black Dance Theatre company

Dream Maker

Ann Williams reflects on her time as artistic director of Dallas Black Dance Theatre, the company’s impact on the Dallas community and her plans for the future.



published Thursday, May 15, 2014

Photo: Robert Hart
Ann Williams, photographed with the Dallas Black Dance Theatre company

Dallas — Teacher. Mentor. Dream maker. These are only a few of the titles Ann Williams has acquired over the past 37 years as founder/artistic director of Dallas Black Dance Theatre, the oldest, continuously operating professional dance company in Dallas. But after the company’s Spring Celebration Performance at the Winspear Opera House this weekend Williams will hand the reigns over and take on a new title: retiree.

“Next year I am looking forward to completely stepping back and enjoying DBDT from afar,” Williams says. “I will travel some, play bridge and enjoy the company of my friends and relatives.”

The two-evening Spring Celebration includes performances by Anita N. Martinez Ballet Folklorico, Bruce Wood Dance Project, Texas Ballet Theater and Kirven Douthit-Boyd (Alvin Ailey American Dance Theater). Dancers from DBDT will also be performing in new works choreographed Lily Weiss (Booker T. Washington HSPVA) and Christopher Vo (dancer on Season 2 of the NBC show SMASH).

And while Williams will no longer be a part of the day-to-day activities of the organization once she retires, she will remain supportive and continue to seek out new funding opportunities. And the company can still expect to see her at rehearsals, programs, master classes and workshops. “But only on a limited basis and only as a guest/friend.”

As for the task of uncovering DBDT’s next artistic director Williams say the search has been going quite well. “We have 11 applicants from several different cities and states including New York. We have a dedicated committee not just from the Dallas community, but people who are interested in getting the best possible person for DBDT. The committee will choose a finalist very soon.”

Photo: Brian Gilliaux
Dallas Black Dance Theatre will perform Alvin Ailey's Escapade at the Spring Celebration
The outpouring of love and support Williams has received since making her announcement last May proves DBDT is indeed a Dallas institution. “I do feel honored with all the love and attention that has happened this year from the local community, especially the dance community. It has made me feel special.”

Since starting the company in 1976, Williams has established five performing dance troupes and currently employs 12 administrative staff and 12 dancers on an 11-month contract. DBDT has performed in 14 countries with tours in Peru, South Africa, Uganda, Austria, Japan, Italy and many more. Most notable venues include Lincoln Center in New York City, The Kennedy Center in Washington, D.C., the 1996 Olympic Games in Atlanta and the 2012 London Olympics. DBDT’s repertoire includes works by Alvin Ailey, Ulysses Dove, Talley Beatty, Christopher Huggins, David Parsons and Darryl B. Sneed, to name a few.

Like all dance companies, DBDT has experienced its highs and lows: economic declines, dancers leaving for other cities and housing complications (DBDT’s home is now 2700 Flora St.), but the company has managed to stay afloat thanks to careful planning and realistic goal setting. “DBDT also has a staff and board of directors that are dedicated to keeping the doors of the company open and support our mission of providing artistic excellence. We are supported by many individuals, corporations and foundations. Our audience and patrons have been with us during the highs and lows and we have rewarded them with great choreography and programs.”

When asked if she has any regrets Williams says, “I think I have accomplished the goals that were necessary and achievable. There can always be more, but I am grateful for our home in in the Arts District and the performance space we have with the Wyly Theatre. It would have been super to get that $1 million gift, but I believe that can happen with the next artistic director.”

As for her legacy, Williams would like to be remembered for the services she has provided to many dance students who would not have had the opportunity otherwise. “I believe I have opened doors of opportunity for many dancers, students, parents, organizations in the City of Dallas, the State of Texas and many parts of the nation and around the world. I have given from my heart and soul so that others can fulfill their dreams.”

» Click here to read our interview with Christopher Vo about his new work on the Spring Celebration program

» Katie Dravenstott is a freelance writer and dance instructor in Dallas. Visit her blog at www.kddance.wordpress.com Thanks For Reading





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Dream Maker
Ann Williams reflects on her time as artistic director of Dallas Black Dance Theatre, the company’s impact on the Dallas community and her plans for the future.
by Katie Dravenstott

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